The vintage book porject carries on

It has been a couple of days since I lasted posted or listed on Etsy. Some of the unknown poems will need to be typed out individually which I haven't got round to you yet. I have been browsing my local book shops and found a fantastic 1929 book called "Psychology in the service of the soul" By Reverend Leslie Weatherhead. It has some fascinating insights into the developemnt of psychology into a science and I have the idea of blending the old pages with watercolour and ink paintings of neurons, brain cells and sections of the brain based on actual brain scan photographs. These will be listed shortly but so far are looking quite effective.

The poem for today is Vagabond House by Don Blanding
due to the nature of the pages it is only the first 2 verses with others on the back . I may do another as was spread over three pages.

When I have a house . . . as I sometime may . . .
I'll suit my fancy in every way.
I'll fill it with things that have caught my eye
In drifting from Iceland to Molokai.
It won't be correct or in period style,
But . . . oh, I've thought for a long, long while
Of all the corners and all the nooks,
Of all the bookshelves and all the books,
The great big table, the deep soft chairs,
And the Chinese rug at the foot of the stairs
(It's an old, old rug from far Chow Wan
That a Chinese princess once walked on).

My house will stand on the side of a hill
By a slow, broad river, deep and still,
With a tall lone pine on guard nearby
Where the birds can sing and the storm winds cry.
A flagstone walk, with lazy curves,
Will lead to the door where a Pan's head serves
As a knocker there, like a vibrant drum,
To let me know that a friend has come,
And the door will squeak as I swing it wide
To welcome you to the cheer inside.

For I’ll have good friends who can sit and chat
Or simply sit, when it comes to that,
By the fireplace where the fir logs blaze
And the smoke rolls up in a weaving haze.
I’ll want a woodbox, scarred and rough
For leaves and bark and odorous stuff,
Like resinous knots and cones and gums,
To toss on the flames when winter comes.
And I hope a cricket will stay around,
For I love it’s creaky lonesome sound.

There’ll be driftwood powder to burn on logs
And a shaggy rug for a couple of dogs,
Boreas, winner of prize and cup,
And Mickey, a lovable gutter-pup.
Thoroughbreds, both of them, right from the start,
One by breeding, the other by heart.
There are times when only a dog will do
For a friend . . . when you’re beaten, sick and blue
And the world’s all wrong, for he won’t care
If you break and cry, or grouch and swear,
For he’ll let you know as he licks your hands
That he’s downright sorry . . . and understands.

I’ll have on a bench a box inlaid
With dragon-plaques of milk white jade
To hold my own particular brand
Of cigarettes brought from the Pharaohs land,
With a cloisonne bowl on a lizards skin
To flick my cigarette ashes in.
And a squat blue jar for a certain blend
Of pipe tobacco, I’ll have to send
To a quaint old chap I chanced to meet
In his fusty shop on a London street.

A long low shelf of teak will hold
My best-loved books in leather and gold,
While magazines lie on a bowlegged stand,
In a polyglot mixture close at hand.
I’ll have on a table a rich brocade
That I think the pixies must have made,
For the dull gold thread on blues and grays
Weaves a pattern of Puck . . . the Magic Maze.
On the mantlepiece I’ll have a place
For a little mud god with a painted face
That was given to me . . . oh, long ago,
By a Philippine maid in Olangapo.

Then just in range of a lazy reach . . .
A bulging bowl of Indian beech
Will brim with things that are good to munch,
Hickory nuts to crack and crunch;
Big fat raisins and sun-dried dates,
And curious fruits from the Malay Straits;
Maple sugar and cookies brown
With good hard cider to wash them down;
Wine-sap apples, pick of the crop,
And ears of corn to shell and pop
With plenty of butter and lots of salt . . .
If you don’t get filled it’s not my fault.

And there where the shadows fall I’ve planned
To have a magnificent concert-grand
With polished wood and ivory keys,
For wild discordant rhapsodies,
For wailing minor Hindu songs,
For Chinese chants and clanging gongs,
For flippant jazz, and for lullabies,
And moody things that I’ll improvise
To play the long gray dusk away
And bid goodbye to another day.

Pictures . . . I think I’ll have but three:
One, in oil, of a windswept sea
With the flying scud and the waves whipped white . . .
(I know the chap who can paint it right)
In lapis blue and deep jade green . . .
A great big smashing fine marine
That’ll make you feel the spray in your face.
I’ll hang it over my fireplace.

The second picture . . . a freakish thing . . .
Is gaudy and bright as a macaw’s wing,
An impressionist smear called “Sin”,
A nude on a striped zebra skin
By a Danish girl I knew in France.
My respectable friends will look askance
At the purple eyes and the scarlet hair,
At the pallid face and the evil stare
Of the sinister, beautiful vampire face.
I shouldn’t have it about the place,
But I like . . . while I loathe . . . the beastly thing,
And that’s the way that one feels about sin.

The picture I love the best of all
Will hang alone on my study wall
Where the sunset’s glow and the moon’s cold gleam
Will fall on the face, and make it seem
That the eyes in the picture are meeting mine,
That the lips are curved in the fine sweet line
Of that wistful, tender, provocative smile
That has stirred my heart for a wondrous while.
It’s a sketch of the girl who loved too well
To tie me down to that bit of Hell
That a drifter knows when he know’s he’s held
By the soft, strong chains that passions weld.
It was best for her and for me, I know,
That she measured my love and bade me go
For we both have our great illusion yet
Unsoiled, unspoiled by vain regret.
I won’t deny that it makes me sad
To know that I’ve missed what I might have had.
It’s a clean sweet memory, quite apart,
And I’ve been faithful . . . in my heart.

All these things I will have about,
Not a one could I do without;
Cedar and sandalwood chips to burn
In the tarnished bowl of a copper urn;
A paperweight of meteorite
That seared and scorched the sky one night,
A moro kris . . . my paper knife . . .
Once slit the throat of a Rajah’s wife.
The beams of my house will be fragrant wood
That once in a teeming jungle stood
As a proud tall tree where the leopards crouched
And the parrots screamed and the black men crouched.

The roof must have a rakish dip
To shadowy eaves where the rain can drip
In a damp persistent tuneful way;
It’s a cheerful sound on a gloomy day.
And I want a shingle loose somewhere
To wail like a banshee in despair
When the wind is high and the storm-gods race
And I am snug by my fireplace.

I hope a couple of birds will nest
Around the house. I’ll do my best
To make them happy, so every year
They’ll raise their brood of fledglings here.

When I have my house I’ll suit myself
And have what I call my “Condiment Shelf”,
Filled with all manner of herbs and spice,
Curry and chutney for meats and rice,
Pots and bottles of extracts rare . . .
Onions and garlic will both be there . . .
And soya and saffron and savoury goo
And stuff that I’ll buy from an old Hindu;
Ginger with syrup in quaint stone jars;
Almonds and figs in tinseled bars;
Astrakhan caviar, highly prized,
And citron and orange peel crystallized;
Anchovy paste and poha jam;
Basil and chili and marjoram;
And flavours that come from Samarkand;
And, hung with a string from a handy hook,
Will be a dog-eared, well-thumbed book
That is pasted full of recipes
From France and Spain and the Caribbees;
Roots and leaves and herbs to use
For curious soups and odd ragouts.

I’ll have a cook that I’ll name “Oh Joy”,
A sleek, fat, yellow-faced China boy
Who can roast a pig or mix a drink,
(You can’t improve on him, I think).
On the gray-stone hearth there’ll be a mat
For a scrappy, swaggering yellow cat
With a war-scarred face from a hundred fights
With neighbours’ cats on moonlight nights.
A wise old Tom who can hold his own
And make my dogs let him alone.

I’ll have a window-seat broad and deep
Where I can sprawl to read or sleep,
With windows placed so I can turn
And watch the sunsets blaze and burn
Beyond high peaks that scar the sky
Like bare white wolf-fangs that defy
The very gods. I’ll have a nook
For a savage idol that I took
From a ruined temple in Peru,
A demon-chaser named Mang-Chu
To guard my house by night and day
And keep all evil things away.

Pewter and bronze and hammered brass;
Old carved wood and gleaming glass;
Candles and polychrome candlesticks,
And peasant lamps with floating wicks;
Dragons in silk on a Mandarin suit
In a chest that is filled with vagabond-loot.
All of the beautiful, useless things
That a vagabond’s aimless drifting brings.

Then, when my house is all complete
I’ll stretch me out on the window seat
With a favourite book and a cigarette,
And a long cool drink that Oh Joy will get;
And I’ll look about at my bachelor-nest
While the sun goes zooming down the west,
And the hot gold light will fall on my face
And make me think of some heathen place
That I’ve failed to see . . . that I’ve missed some way . . .
A place that I’d planned to find some day,
And I’ll feel the lure of it driving me.
Oh damn! I know what the end will be

I’ll go. And my house will fall away
While the mice by night and the moths by day
Will nibble the covers off all my books,
And the spiders weave in the shadowed nooks.
And my dogs . . . I’ll see that they have a home
While I follow the sun, while I drift and roam
To the ends of the earth like a chip on the stream,
Like a straw on the wind, like a vagrant dream;
And the thought will strike with a swift sharp pain
That I probably never will build again
This house that I’ll have in some far day
Well . . . it’s just a dream house, anyway.

Jonah and the Whale - a traditional tale

I have not been able to find a copy of this poem but a famous tale never the less one we all know. Really no suprise at the interpretation here of the whale ......

Hell In Texas

Hell in Texas
Unknown author

Oh, the Devil in hell they say he was chained,
And there for a thousand years he remained;
He neither complained nor did he groan,
But decided he'd start up a hell of his own,
Where he could torment the souls of men
Without being shut in a prison pen;
So he asked the Lord if He had any sand
Left over from making this great land.

The Lord He said, "Yes, I have plenty on hand,
But it's away down south on the Rio Grande,
And, to tell you the truth, the stuff is so poor
I doubt if 'twill do for hell any more."
The Devil went down and looked over the truck,
And he said if it came as a gift he was stuck,
For when he'd examined it carefully and well
He decided the place was too dry for a hell.

But the Lord just to get the stuff off His hands
He promised the Devil He'd water the land,
For he had some old water that was of no use,
A regular bog hole that stunk like the deuce.
So the grant it was made and the deed it was given;
The Lord He returned to His place up in heaven.
The Devil soon saw he had everything needed
To make up a hell and so he proceeded.

He scattered tarantulas over the roads,
Put thorns on the cactus and horns on the toads,
He sprinkled the sands with millions of ants
So the man that sits down must wear soles on his pants.
He lengthened the horns of the Texas steer,
And added an inch to the jack rabbit's ear;
He put water puppies in all of the lakes,
And under the rocks he put rattlesnakes.

He hung thorns and brambles on all of the trees,
He mixed up the dust with jiggers and fleas;
The rattlesnake bites you, the scorpion stings,
The mosquito delights you by buzzing his wings.
The heat in the summer's a hundred and ten,
Too hot for the Devil and too hot for men;
And all who remained in that climate soon bore
Cuts, bites, stings, and scratches, and blisters galore.

He quickened the buck of the bronco steed,
And poisoned the feet of the centipede;
The wild boar roams in the black chaparral
It's a hell of a place that we've got for a hell.
He planted red pepper beside of the brooks;
The Mexicans use them in all that they cook.

Just dine with a Greaser and then you will shout,
"I've hell on the inside as well as the out! "

On reading this poem I was struck by a thought of a demon like figure but rather than 
strong colours a delicate balance of watercolour red, orange and yellow. 
I think it worked quite well.

Miss Foggerty's Cake

As I sat in my window last evening,
The letterman brought it to me
A little gilt-edged invitation sayin'
"Gilhooley come over to tea"
I knew that the Fogarties sent it.
So I went just for old friendships sake.
The first think they gave me to tackle
Was a slice of Miss Fogarty's cake.

cho: There were plums and prunes and cherries,
There were citrons and raisins and cinnamon, too
There was nutmeg, cloves and berries
And a crust that was nailed on with glue
There were caraway seeds in abundance
Such that work up a fine stomach ache
That could kill a man twice after eating a slice
Of Miss Fogarty's Christmas cake.

Miss Mulligan wanted to try it,
But really it wasn't no use
For we worked in it over an hour
And we couldn't get none of it loose
Till Murphy came in with a hatchet
And Kelly came in with a saw
That cake was enough be the powers above
For to paralyze any man's jaws

Miss Fogarty proud as a peacock,
Kept smiling and blinking away
Till she flipped over Flanagans brogans
And she spilt the homebrew in her tay
Aye Gilhooley she says you're not eatin,
Try a little bit more for me sake
And no Miss Fogarty says I,
For I've had quite enough of your cake.

Maloney was took with the colic,
O'Donald's a pain in his head
Mc'Naughton lay down on the sofa,
And he swore that he wished he was dead
Miss Bailey went into hysterics
And there she did wriggle and shake
And everyone swore they were poisoned
Just from eating Miss Fogarty's cake!

Unknown

Get a Transfer - Unknown author

A Funny Poem with Inspiration
Get A Transfer
By Author Unknown

If you are on the Gloomy Line,
Get a transfer.
If you're inclined to fret and pine,
Get a transfer.
Get off the track of doubt and gloom,
Get on the Sunshine Track -there's room-
Get a transfer.

If you're on the Worry Train,
Get a transfer.
You must not stay there and complain,
Get a transfer.
The Cheerful Cars are passing through,
And there's lots of room for you-
Get a transfer.

If you're on the Grouchy Track,
Get a transfer.
Just take a Happy Special back,
Get a transfer.
Jump on the train and pull the rope,
That lands you at the station of Hope-
Get a transfer.

John Maynard by Horatio Alger

JOHN MAYNARD

by: Horatio Alger (1832-1899)

'WAS on Lake Erie's broad expanse

One bright midsummer day,

The gallant steamer Ocean Queen

Swept proudly on her way.

Bright faces clustered on the deck,

Or, leaning o'er the side,

Watched carelessly the feathery foam

That flecked the rippling tide.




Ah, who beneath that cloudless sky,

That smiling bends serene,

Could dream that danger awful, vast,

Impended o'er the scene,--

Could dream that ere an hour had sped

That frame of sturdy oak

Would sink beneath the lake's blue waves,

Blackened with fire and smoke?




A seaman sought the captain's side,

A moment whispered low;

The captain's swarthy face grew pale;

He hurried down below.

Alas, too late! Though quick, and sharp,

And clear his orders came,

No human efforts could avail

To quench the insidious flame.




The bad news quickly reached the deck,

It sped from lip to lip,

And ghastly Faces everywhere

Looked from the doomed ship.

"Is there no hope--no chance of life?"

A hundred lips implore,

"But one," the captain made reply,

"To run the ship on shore."




A sailor, whose heroic soul

That hour should yet reveal,

By name John Maynard, eastern-born,

Stood calmly at the wheel.

"Head her south-east!" the captain shouts,

Above the smothered roar,--

"Head her south-east without delay!

Make for the nearest shore!"




No terror pales the helmsman's cheek,

Or clouds his dauntless eye,

As, in a sailor's measured tone,

His voice responds, "Ay! ay!"

Three hundred souls, the steamer's freight,

Crowd forward wild with fear,

While at the stern the dreaded flames

Above the deck appear.




John Maynard watched the nearing flames,

But still with steady hand

He grasped the wheel, and steadfastly

He steered the ship to land.

"John Maynard, can you still hold out?"

He heard the captain cry;

A voice from out the stifling smoke

Faintly responds, "Ay! ay!"




But half a mile! a hundred hands

Stretch eagerly to shore.

But half a mile! That distance sped

Peril shall all be o'er.

But half a mile! Yet stay, the flames

No longer slowly creep,

But gather round that helmsman bold,

With fierce, impetuous sweep.




"John Maynard!" with an anxious voice

The captain cries once more,

"Stand by the wheel five minutes yet,

And we shall reach the shore."

Through flame and smoke that dauntless heart

Responded firmly still,

Unawed, though face to face with death,--

"With God's good help I will!"




The flames approach with giant strides,

They scorch his hand and brow;

One arm, disabled, seeks his side,

Ah! he is conquered now!

But no, his teeth are firmly set,

He crushes down his pain,

His knee upon the stanchion pressed,

He guides the ship again.




One moment yet! one moment yet!

Brave heart, thy task is o'er,

The pebbles grate beneath the keel.

The steamer touches shore.

Three hundred grateful voice rise

In praise to God that he

Hath saved them from the fearful fire,

And from the engulphing sea.




But where is he, that helmsman bold?

The captain saw him reel,--

His nerveless hands released their task,

He sank beside the wheel.

The wave received his lifeless corpse,

Blackened with smoke and fire.

God rest him! Never hero had

A nobler funeral pyre!

If by Rudyard Kipling

F you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:

If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: 'Hold on!'

If you can talk with crowds and keep your virtue,
' Or walk with Kings - nor lose the common touch,
if neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!

Is this triumph and disaster clinging onto the world?

It Couldnt be done by Edgar A. Guest

It Couldn't be Done

Somebody said that it couldn’t be done,
But, he with a chuckle replied
That "maybe it couldn’t," but he would be one
Who wouldn’t say so till he’d tried.
So he buckled right in with the trace of a grin
On his face. If he worried he hid it.
He started to sing as he tackled the thing
That couldn’t be done, and he did it.

Somebody scoffed: "Oh, you’ll never do that;
At least no one has done it";
But he took off his coat and he took off his hat,
And the first thing we knew he’d begun it.
With a lift of his chin and a bit of a grin,
Without any doubting or quiddit,
He started to sing as he tackled the thing
That couldn’t be done, and he did it.

There are thousands to tell you it cannot be done,
There are thousands to prophesy failure;
There are thousands to point out to you one by one,
The dangers that wait to assail you.
But just buckle it in with a bit of a grin,
Just take off your coat and go to it;
Just start to sing as you tackle the thing
That "couldn’t be done," and you’ll do it.

By Edgar A. Guest

I do love this poem .....

Then Laugh by Bertha Adams Backus - Page 110

Then Laugh
By Bertha Adams Backus

Build for yourself a strong box,
fashion each part with care;
When it’s strong as your hand can make it,
put all your troubles there;

Hide there all thought of your failures;
and each bitter cup that you quaff;
Lock all your heartaches within it,
Then sit on the lid and laugh.

Tell no one else its contents,
Never its secrets share;
When you’ve dropped in your care and worry
keep them forever there;

Hide them from sight so completely
That the world will never dream half;
Fasten the strongbox securely—
Then sit on the lid and laugh.

From my Armchair - Page 391 - Henry Wadsworth Longfellow

From my Armchair

To the children of Cambridge Who presented to me on my Seventy-second Birth-day, February 27, 1879, this Chair, made from the Wood of the Village Blacksmith's Chestnut Tree.

Am I a king, that I should call my own
This splendid ebon throne?
Or by what reason, or what right divine,
Can I proclaim it mine?

Only, perhaps, by right divine of song
It may to me belong;
Only because the spreading chestnut tree
Of old was sung by me.

Well I remember it in all its prime,
When in the summer-time
The affluent foliage of its branches made
A cavern of cool shade.

There, by the blacksmith's forge, beside the street,
Its blossoms white and sweet
Enticed the bees, until it seemed alive,
And murmured like a hive.

And when the winds of autumn, with a shout,
Tossed its great arms about,
The shining chestnuts, bursting from the sheath,
Dropped to the ground beneath.

And now some fragments of its branches bare,
Shaped as a stately chair,
Have by my hearthstone found a home at last,
And whisper of the past.

The Danish king could not in all his pride
Repel the ocean tide,
But, seated in this chair, I can in rhyme
Roll back the tide of Time.

I see again, as one in vision sees,
The blossoms and the bees,
And hear the children's voices shout and call,
And the brown chestnuts fall.

I see the smithy with its fires aglow,
I hear the bellows blow,
And the shrill hammers on the anvil beat
The iron white with heat!

And thus, dear children, have ye made for me
This day a jubilee,
And to my more than three-score years and ten
Brought back my youth again.

The heart hath its own memory, like the mind,
And in it are enshrined
The precious keepsakes, into which is wrought
The giver's loving thought.

Only your love and your remembrance could
Give life to this dead wood,
And make these branches, leafless now so long,
Blossom again in song.

By Henry Wadsworth Longfellow

In a Rose Garden- Page 27 - John Bennett

In a Rose garden.........

A hundred years from now, dear heart,
We shall not care at all,
It will not matter then a whit,
The honey or the gall.
The summer days that we have known
Will all forgotten be and flown;
The garden will be overgrown
Where now the roses fall.

A hundred years from now, dear heart,
We shall not mind the pain;
The throbbing crimson tide of life
Will not have left a stain.
The song we sing together, dear,
The dream we dream together here,
Will mean no more than means a tear
Amid a summer rain.

A hundred years from now, dear heart,
The grief will all be o'er;
The sea of care will surge in vain
Upon a careless shore.
These glasses we turn down today
Here at the parting of the way-
We shall be wineless then as they,
And shall not mind it more.

A hundred years from now, dear heart,
We'll neither know nor care
What came of all life's bitterness,
Or followed love's despair.
Then fill the glasses up again,
And kiss me through the rose-leaf rain;
We'll build one castle more in Spain,
And dream one more dream there.

- John Bennet

Amazing what a week in bed can do??

I have had a stinking cold all week , unable to lift my head from the pillow. Yet strangely unable to sleep. In a virus addled state I searched through my bookcase looking for some inspiration. I came across a book of poetry with the pages loose, nice paper , flocked at the edge and mottled in places with brown age spots. I have many poetry books , you can never have enough so I took this and another 18th century poetry book down to my bed to read.

Nice wide pages , it always annoys me when beautiful poetry has no accompanying illustrations , and as this book was really in no fit state to keep I decided to draw on some of the loose pages. Not randomly but inspired specifically by the words. And then I decided I would make this my project of the year..... every day I would pick a poem and illustrate it, without losing the words. The book is the "Best Loved Poems of the American People" I picked it up in a second hand book shop many years ago. Many lovely poems and so much inspiration.

Each week I will pick out some poems , illustrate them and post them on here, with full words and details. each illustration will be found in my Etsy shop - ClockTowerArtwork.etsy.com.

I have been working away at some ...... will upload through out the week.